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“We had 4 million people looking at that show back in the ’60s. No half-hour musical weekly show has ever attracted that since.” – Don Tremaine, emcee of Don Messer’s Jubilee
Don Messer. He’s a genuine Maritime hero. Nearly 30 years after his death, people in his New Brunswick hometown have erected a monument in his memory – not a statue but a giant fiddle. Messer was an icon, yet no one who knew him could really describe what he was like. With help from family, and friends, Sit Down, Shut Up, Don Messer’s On! takes viewers on a behind-the-scenes look at the life and career of this enigmatic man and Canadian musical icon.

He was raised on a farm, the youngest of 11 children. “I never really wanted to become a musician.it was sort of forced on me by the Depression days,” said Messer. He honed his violin skills by performing for his uncles, cousins and neighbours until he got good enough to leave. His radio career started in 1930 on the kerosene lamp circuit. They played a lot of kitchen parties and barn dances – sometimes with no pay at all. By the early ’30s, when Messer wasn’t on the radio he was plying his trade on the road. They would drive hundreds of miles in their own cars, with their own vehicles to do their own set up and strike. And they would drive nearly all night or into the next morning to do the same thing over again. He was consumed with making a living and playing the fiddle was the only way to do it.

By the early 1960s, CBC-TV’s Don Messer’s Jubilee was a huge hit with big ratings and high popularity. But it wasn’t Messer’s personal appeal that kept viewers hooked on Jubilee every week. It was his charismatic stars like Marg Osburne and Charlie Chamberlain. The sudden cancellation of the show in the spring of 1969 is as much a part of Down East music folklore as Messer himself.

Almost immediately a petition from fans all over Canada was started – more than 30 feet long – to try and save the show. But Messer couldn’t put down the fiddle – an independent station in Hamilton, Ontario, offered to pick up his act. But in 1972, his hard-living, hard-drinking sidekick Charlie Chamberlain died. The ratings never recovered. A year later, at the age of 63 – while in his music room preparing for his fourth season in Hamilton – Messer died of a heart attack. He had done over 30 national tours and been broadcasting for more than 40 years. He left behind a musical legacy that is still with us today.
‘Got my dancin’ boots on, got my Sunday best / Goin’ to the Barn Dance tonight….’ Two generations of Canadians grew up in the mid-20th century with the opening bars of Don Messer’s theme song humming in their heads.
Across the country, tens of thousands sat by their radios three times a week, 1939-58, listening to ‘Don Messer and His Islanders’ broadcast from Charlottetown, PEI on CBC Radio. With the advent of television, Messer moved seamlessly across to the new medium, bringing his audience with him. Thousands more watched ‘Don Messer’s Jubilee’ weekly, 1956-69, produced by CBC Television in Halifax, NS. When the program was cancelled, there was a national uproar; thirty-five years later, some people miss it still.
Don Messer (1909-73) was a professional fiddler, music director, music writer and entertainer. His band, assembled in the late 1920s, came together and remained together — basically unchanged after the late 1930s. The musicians were there to provide the music, forming a backdrop for the vocalists, the guest performers and, after 1959, the Buchta Dancers. Charlie Chamberlain and Marg Osburne, the lead vocalists, were household names and minor celebrities in the early days of Canadian television.
Messer’s infectious brand of toe-tapping ‘down-home’ music showcased the best in the musical tradition of rural North America. His personal papers, assembled over seventy years, document his career and contribution to Canadian music. Messer was also a collector, actively acquiring musical scores and recordings from musicians, composers and folklorists throughout North America and Europe; his rich music library forms part of the Don Messer fonds.